Daily Meditations

Christ and Nothing (Part VIII)

By David Bentley Hart, October 2003

I am tempted to say, then, that the cross of Christ is not simply a sacrifice, but the place where two opposed understandings of sacrifice clashed. Christ’s whole life was a reconciling qurban: an approach to the Father, a real indwelling of God’s glory in the temple of Christ’s body, and an atonement made for a people enslaved to death. In pouring himself out in the form of a servant, and in living his humanity as an offering up of everything to God in love, the shape of the eternal Son’s life was already sacrificial in this special sense; and it was this absolute giving, as God and man, that was made complete on Golgotha. While, from a pagan perspective, the crucifixion itself could be viewed as a sacrifice in the most proper sense—destruction of the agent of social instability for the sake of peace, which is always a profitable exchange—Christ’s life of charity, service, forgiveness, and righteous judgment could not; indeed, it would have to seem the very opposite of sacrifice, an economic and indiscriminate inversion of rank and order. Yet, at Easter, it is the latter that God accepts and the former He rejects; what, then, of all the hard-won tragic wisdom of the ages?

Naturally, also, with the death of the old mythos, metaphysics too was transformed. For one thing, while every ancient system of philosophy had to presume an economy of necessity binding the world of becoming to its inmost or highest principles, Christian theology taught from the first that the world was God’s creature in the most radically ontological sense: that it is called from nothingness, not out of any need on God’s part, but by grace. The world adds nothing to the being of God, and so nothing need be sacrificed for His glory or sustenance. In a sense, God and world alike were liberated from the fetters of necessity; God could be accorded His true transcendence and the world its true character as divine gift. The full implications of this probably became visible to Christian philosophers only with the resolution of the fourth-century trinitarian controversies, when the subordinationist schemes of Alexandrian trinitarianism were abandoned, and with them the last residue within theology of late Platonism’s vision of a descending scale of divinity mediating between God and world—the both of them comprised in a single totality.

In any event, developed Christian theology rejected nothing good in the metaphysics, ethics, or method of ancient philosophy, but—with a kind of omnivorous glee—assimilated such elements as served its ends, and always improved them in the process. Stoic morality, Plato’s language of the Good, Aristotle’s metaphysics of act and potency—all became richer and more coherent when emancipated from the morbid myths of sacrificial economy and tragic necessity. In truth, Christian theology nowhere more wantonly celebrated its triumph over the old gods than in the use it made of the so-called spolia Aegyptorum; and, by despoiling pagan philosophy of its most splendid achievements and integrating them into a vision of reality more complete than philosophy could attain on its own, theology took to itself irrevocably all the intellectual glories of antiquity. The temples were stripped of their gold and precious ornaments, the sacred vessels were carried away into the precincts of the Church and turned to better uses, and nothing was left behind but a few grim, gaunt ruins to lure back the occasional disenchanted Christian and shelter a few atavistic ghosts.

~David B. Hart, “Christ and Nothing,” First Things, https://www.firstthings.com/article/2003/10/christ-and-nothing, Submitted by John Bonadeo.

David B. Hart is an Eastern Orthodox theologian. The original version of this article was delivered as a lecture at a conference on the Ten Commandments held at St. Olaf’s College in Northfield, Minnesota, June 15-17, under the joint sponsorship of the Center for Catholic and Evangelical Theology and the Society for Ecumenical Anglican Doctrine. Submitted by John Bonadeo.

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