By David Bentley Hart, October 2003
It is worth asking ourselves what this tableau, viewed from the vantage of pagan antiquity, would have meant. A man of noble birth, representing the power of Rome, endowed with authority over life and death, confronted by a barbarous colonial of no name or estate, a slave of the empire, beaten, robed in purple, crowned with thorns, insanely invoking an otherworldly kingdom and some esoteric truth, unaware of either his absurdity or his judge’s eminence. Who could have doubted where, between these two, the truth of things was to be found? But the Gospel is written in the light of the resurrection, which reverses the meaning of this scene entirely. If God’s truth is in fact to be found where Christ stands, the mockery visited on him redounds instead upon the emperor, all of whose regal finery, when set beside the majesty of the servile shape in which God reveals Himself, shows itself to be just so many rags and briars.
This slave is the Father’s eternal Word, whom God has vindicated, and so ten thousand immemorial certainties are unveiled as lies: the first become last, the mighty are put down from their seats and the lowly exalted, the hungry are filled with good things while the rich are sent empty away. Nietzsche was quite right to be appalled. Almost as striking, for me, is the tale of Peter, at the cock’s crow, going apart to weep. Nowhere in the literature of pagan antiquity, I assure you, had the tears of a rustic been regarded as worthy of anything but ridicule; to treat them with reverence, as meaningful expressions of real human sorrow, would have seemed grotesque from the perspective of all the classical canons of good taste. Those wretchedly subversive tears, and the dangerous philistinism of a narrator so incorrigibly vulgar as to treat them with anything but contempt, were most definitely signs of a slave revolt in morality, if not quite the one against which Nietzsche inveighed—a revolt, moreover, that all the ancient powers proved impotent to resist.
In a narrow sense, then, one might say that the chief offense of the Gospels is their defiance of the insights of tragedy—and not only because Christ does not fit the model of the well-born tragic hero. More important is the incontestable truth that, in the Gospels, the destruction of the protagonist emphatically does not restore or affirm the order of city or cosmos. Were the Gospels to end with Christ’s sepulture, in good tragic style, it would exculpate all parties, including Pilate and the Sanhedrin, whose judgments would be shown to have been fated by the exigencies of the crisis and the burdens of their offices; the story would then reconcile us to the tragic necessity of all such judgments.
But instead comes Easter, which rudely interrupts all the minatory and sententious moralisms of the tragic chorus, just as they are about to be uttered to full effect, and which cavalierly violates the central tenet of sound economics: rather than trading the sacrificial victim for some supernatural benefit, and so the particular for the universal, Easter restores the slain hero in his particularity again, as the only truth the Gospels have to offer. This is more than a dramatic peripety. The empty tomb overturns all the “responsible” and “necessary” verdicts of Christ’s judges, and so grants them neither legitimacy nor pardon.
In a larger sense, then, the entire sacrificial logic of a culture was subverted in the Gospels. I cannot attempt here a treatment of the biblical language of sacrifice, but I think I can safely assert that Christ’s death does not, in the logic of the New Testament sources, fit the pattern of sacrifice I have just described. The word “sacrifice” is almost inexhaustible in its polysemy, particularly in the Old Testament, but the only sacrificial model explicitly invoked in the New Testament is that of the Atonement offering of Israel, which certainly belongs to no cosmic cycle of prudent expenditure and indemnity. It is, rather, a qurban, literally a “drawing nigh” into the life-giving presence of God’s glory.
Israel’s God requires nothing; He creates, elects, and sanctifies without need—and so the Atonement offering can in no way contribute to any sort of economy. It is instead a penitent approach to a God who gives life freely, and who not only does not profit from the holocaust of the particular, but who in fact fulfils the “sacrifice” simply by giving his gift again. This giving again is itself, in fact, a kind of “sacrificial” motif in Hebrew Scripture, achieving its most powerful early expression in the story of Isaac’s aqedah, and arriving at its consummation, perhaps, in Ezekiel’s vision in the valley of dry bones. After all, a people overly burdened by the dolorous superstitions of tragic wisdom could never have come to embrace the doctrine of resurrection.
~David B. Hart, “Christ and Nothing,” First Things, https://www.firstthings.com/article/2003/10/christ-and-nothing, Submitted by John Bonadeo.
David B. Hart is an Eastern Orthodox theologian. The original version of this article was delivered as a lecture at a conference on the Ten Commandments held at St. Olaf’s College in Northfield, Minnesota, June 15-17, under the joint sponsorship of the Center for Catholic and Evangelical Theology and the Society for Ecumenical Anglican Doctrine. Submitted by John Bonadeo.
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